Tuesday, May 17, 2016
I have a water-saving garden, having replaced the lawn on our corner lot a few years ago. I used a landscaper for guidance on plants and planting, and, while I am satisfied with the results, I was interested to read my first book about such a garden. Pam Penick’s work is an excellent resource, as it starts with the rationale, descriptions and illustrations of well-established water-saving gardens in different parts of the country. Section two describes the process of designing the garden, including planning for water retention, use of proper materials, how to irrigate and choose soil and/or mulch, and where to add windbreaks in the form of trees, hedges, walls and fences. The last three sections concern choosing plants and when to plant them, as well as how to create the illusion of water if that is desired. This book is an excellent overview of the why and how of a water-saving garden. Having been through the experience of planting one, I found this book thorough but not overwhelming. I recommend it highly. I received this book from Blogging for Books for this review.
Monday, May 16, 2016
I chose this book because I loved this author’s writing 20 years ago, when she wrote romantic fiction aimed at women. To say the least, she has since shifted gears. Season of Glory is the third and final book of a series. That alone made for a challenging read, as this book picks up where the last left off, with no background given about time, place or people. I gathered that this series is aimed at adolescents or young adults, as the writing consists of much more dialogue than the average novel does. I never did understand much about the time, place or people, although it was evident that it is an imaginary place. The culture was unique, as demonstrated by the language used about it. For example, where we might say a couple was engaged, the characters said they were “bound”. There are knights and royalty involved, so you know it’s a hierarchical society. There are places such as a Citadel, so you know there’s a military system in place. The cause is called “the Way,” and “the Maker” is authoritative. There is a love triangle where two men are interested in one woman. The dialogue itself is rather stiff, as if it’s a Star Trek script. The characters say such things as, “She communicates with our enemy. Stop her from doing so again, would you, my brother? I will address the emperor.” I think only those who start with the first book of the series and enjoy it will want to read Season of Glory. It’s not for everyone. I received this book for free in exchange for my unbiased review through the Thomas Nelson BookSneeze Program.
Sunday, May 1, 2016
The author’s maternal grandparents, Anna and Armand, met in 1936, married in 1944, separated a few years later and never spoke again after 1955, although Anna lived until 2010 and Armand until 2015, she in America and he in Switzerland. Mouillot felt the silence between her grandparents as a heavy shadow, in part because she was close to her grandmother, incorporating the rift as part of her personality. From her teenage years on, the author came to know her grandfather through periodic visits. Eventually as a young adult, Mouillot lived in an abandoned house in France which belonged to her grandparents and made it her quest to piece together the history of their life together, tracing their meeting, their mostly separate journeys through World War II and what little she could unearth about their marriage and subsequent life. Anna appears to have been an open, grateful, and expansive woman, while Armand comes across as guarded, defensive and even crotchety. While the differences in their personalities may well have driven them apart, the back cover of the book says, “As she reconstructs the overwhelming odds her grandparents braved together and how the knowledge Armand acquired at Nuremberg destroyed their relationship, Miranda wrestles with the legacy of trauma, the burden of history, and the complexities of memory.” The book is as much about Mouillot’s own life and her journey toward uncovering what she believes to be the whole story as it is about her grandparents. It makes for an uneven pace, as chapter after chapter serves as foreshadowing. There were times when I felt as if I was deeply into the book with little movement toward the truth of the situation. It is not until page 240 of this 267-page book that the first mention of the trials at Nuremberg appears. Suddenly, like the accelerated pace of adding the last pieces of a puzzle, the author ties her theory together that Armand’s role as a translator at the trial affected him so deeply that it drove a permanent wedge between Anna and Armand. By that time, the reader has been so steeped in the narrative of the differences in their personalities and perspectives, it seems coincidental that Armand’s job was traumatic to him, and it is almost hard to imagine that his role had that great an effect. Because of what felt like a very rushed ending, the story felt unsatisfactory to me, leaving me with a different perspective than probably the author intended, which was that the grandparents’ marriage was on shaky ground from the start--the author acknowledges that no one really knew why they married; even the grandparents themselves were not clear--so any challenge might well have driven them apart. This is not a book I would recommend, as its very uneven construction results in the story feeling uneven also. I received this book from Blogging for Books for this review.